![]() Kurt.Įven when things are good, they’re not that good. “I’m so happy, because today I’ve found my…nuclear blast information circuits.” R.I.P. This week, it poured on the lithium-based radiation sensors. We won’t forget about the Mail Robot, which made another appearance this week as Stan had to wait for it before exiting a room, and we can dig the soundtrack and the occasional lighthearted moment, but it’s never been a secret that The Americans pours on the dread, not the Bobby McFerrin. In fact, on the surface with no context, you could make the argument “Dead Hand” would have been a better title for this episode and “Tchaikovsky” was more appropriate for last week, where the music played such a pivotal role.īut, Joe Weisberg and Joel Fields have always been consistent in how we would view this series once it concludes. ![]() Whereas the season opener was artistic and filled with style and sound, this week’s installment went heavy on desolation and despair. That’s a perfect microcosm for the episode as a whole, and what was notable was how different “Tchaikovsky” was from “Dead Hand” last week. She didn’t freak out, because it’s a life she’s chosen to embrace herself. The hour ends with the blood-soaked face of Elizabeth just after her only daughter walked up to see what had just happened, only to discover her mother had murdered someone. It’s easy to see things as very black and white, but the world is complicated, and the more you get that, the better off you’ll be.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |